Tuesday was the six month mark since I sent out my samples to the agents I met at the Writer’s Digest Pitch Slam. Of those five, I got three rejections, one remarkably personal and complimentary and two standard form letters. There was one woman who simply refused to respond, despite two separate follow-up inquiries. And then there’s the last, my holdout, and favorite of the bunch.
She’s the one who, according to online lore, takes an awful long time to get back to queries. The agency website says to resubmit after six months, so that is what I did late Tuesday night, six months to the day since I sent my original, with a friendly, “I know you’re really busy, but …” letter.
No word yet, but now I’m more nervous than ever. As tedious as all these months of waiting are, at least they hold hope. That whisper of hope is always there, simmering below the surface: this is gonna be The One, she’s gonna ask to read the entire manuscript and then love it and then sign up to represent me and then sell the book to a major publishing house — oooh, maybe there’ll be a bidding war and a six-figure advance, and then it’s interviews and New York Times bestseller lists and book signings and then, oh yeah, someone is obviously gonna want to make it into a big Hollywood production, and then ….
Or at least the beginning part: She’ll like it enough to ask to read the rest! That’s all I really want at this point — for something to read the whole damn thing.
If this doesn’t pan out, then I’ll have to take a long hard look at my work and possibly revamp the beginning, which is of course the hardest part to change. If someone asked me to rework ten or twenty pages in the middle, I could do it in a flash. But the opening sentences are just so so hard. But I’m afraid it’s falling a little flat and that it takes too long for me to really get my groove. Oh, I don’t know, hopefully this won’t be an issue at all. Hopefully, I’ll get that positive response and then, and then, and then …. You know the rest.